{"id":3468,"date":"2016-06-29T19:37:47","date_gmt":"2016-06-29T17:37:47","guid":{"rendered":"https:\/\/kunst-gutachter.de\/christian-schad\/"},"modified":"2022-07-19T00:18:37","modified_gmt":"2022-07-18T22:18:37","slug":"christian-schad","status":"publish","type":"page","link":"https:\/\/kunst-gutachter.de\/en\/christian-schad\/","title":{"rendered":"Maltechnik Christian Schad"},"content":{"rendered":"\n<h1 class=\"wp-block-heading\">Christian Schad (1894-1982) &#8211;  Studien zur Maltechnik und Kunstmethode.<\/h1>\n\n\n\n<h4 class=\"wp-block-heading\">Dissertationsschrift von Dr. Martin Pracher, 2010<\/h4>\n\n\n\n<figure class=\"wp-block-image size-full\"><a href=\"https:\/\/kunst-gutachter.de\/wp-content\/uploads\/2016\/06\/Schad-1.jpg\" target=\"_blank\" rel=\"noreferrer noopener\"><img loading=\"lazy\" decoding=\"async\" width=\"633\" height=\"208\" src=\"https:\/\/kunst-gutachter.de\/wp-content\/uploads\/2016\/06\/Schad-1.jpg\" alt=\"\" class=\"wp-image-307\" srcset=\"https:\/\/kunst-gutachter.de\/wp-content\/uploads\/2016\/06\/Schad-1.jpg 633w, https:\/\/kunst-gutachter.de\/wp-content\/uploads\/2016\/06\/Schad-1-300x99.jpg 300w\" sizes=\"auto, (max-width: 633px) 100vw, 633px\" \/><\/a><\/figure>\n\n\n\n<p><strong>Christian Schad- Studien zur Maltechnik und Kunstmethode, 2010<\/strong><br>Die maltechnischen Rezepte Christian Schads wurden rekonstruiert, der maltechnische Nachlass dokumentiert und L\u00fccken im Lebenslauf (1930-1950er Jahre) geschlossen.<br>377 Seiten, PDF-format, 43,36 MB<br><strong>&gt;&gt; Download-Link: <a href=\"https:\/\/kunst-gutachter.de\/wp-content\/uploads\/2016\/06\/Christian_Schad_Maltechnik-1.pdf\" target=\"_blank\" rel=\"noopener\">Christian_Schad_Maltechnik<\/a><\/strong><\/p>\n\n\n\n<h1 class=\"wp-block-heading\">Christian Schad Pigmentarchiv<\/h1>\n\n\n\n<p>Als Teil der Dissertation wurden etwa 170 Pigmentproben des K\u00fcnstlers gesammelt und beschrieben. Im Nachgang wurden die Pigmente per Polarisationsmikroskop bestimmt. Schad hat auf seinen Reisen immer Mineralien gesammelt, die er dann selbst zu Pigmenten verarbeitete und in seinen Bildern vermalte.<\/p>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"520\" src=\"https:\/\/kunst-gutachter.de\/wp-content\/uploads\/2022\/07\/DSC_0051-1024x520.jpg\" alt=\"\" class=\"wp-image-3430\" srcset=\"https:\/\/kunst-gutachter.de\/wp-content\/uploads\/2022\/07\/DSC_0051-1024x520.jpg 1024w, https:\/\/kunst-gutachter.de\/wp-content\/uploads\/2022\/07\/DSC_0051-300x152.jpg 300w, https:\/\/kunst-gutachter.de\/wp-content\/uploads\/2022\/07\/DSC_0051-768x390.jpg 768w, https:\/\/kunst-gutachter.de\/wp-content\/uploads\/2022\/07\/DSC_0051-1536x780.jpg 1536w, https:\/\/kunst-gutachter.de\/wp-content\/uploads\/2022\/07\/DSC_0051-2048x1040.jpg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"484\" src=\"https:\/\/kunst-gutachter.de\/wp-content\/uploads\/2022\/07\/DSC_0054-1024x484.jpg\" alt=\"\" class=\"wp-image-3436\" srcset=\"https:\/\/kunst-gutachter.de\/wp-content\/uploads\/2022\/07\/DSC_0054-1024x484.jpg 1024w, https:\/\/kunst-gutachter.de\/wp-content\/uploads\/2022\/07\/DSC_0054-300x142.jpg 300w, https:\/\/kunst-gutachter.de\/wp-content\/uploads\/2022\/07\/DSC_0054-768x363.jpg 768w, https:\/\/kunst-gutachter.de\/wp-content\/uploads\/2022\/07\/DSC_0054-1536x725.jpg 1536w, https:\/\/kunst-gutachter.de\/wp-content\/uploads\/2022\/07\/DSC_0054-2048x967.jpg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-group\"><div class=\"wp-block-group__inner-container is-layout-flow wp-block-group-is-layout-flow\">\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"600\" src=\"https:\/\/kunst-gutachter.de\/wp-content\/uploads\/2022\/07\/DSC_0053-1024x600.jpg\" alt=\"\" class=\"wp-image-3434\" srcset=\"https:\/\/kunst-gutachter.de\/wp-content\/uploads\/2022\/07\/DSC_0053-1024x600.jpg 1024w, https:\/\/kunst-gutachter.de\/wp-content\/uploads\/2022\/07\/DSC_0053-300x176.jpg 300w, https:\/\/kunst-gutachter.de\/wp-content\/uploads\/2022\/07\/DSC_0053-768x450.jpg 768w, https:\/\/kunst-gutachter.de\/wp-content\/uploads\/2022\/07\/DSC_0053-1536x900.jpg 1536w, https:\/\/kunst-gutachter.de\/wp-content\/uploads\/2022\/07\/DSC_0053-2048x1200.jpg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"567\" src=\"https:\/\/kunst-gutachter.de\/wp-content\/uploads\/2022\/07\/DSC_0052-1-1024x567.jpg\" alt=\"\" class=\"wp-image-3459\" srcset=\"https:\/\/kunst-gutachter.de\/wp-content\/uploads\/2022\/07\/DSC_0052-1-1024x567.jpg 1024w, https:\/\/kunst-gutachter.de\/wp-content\/uploads\/2022\/07\/DSC_0052-1-300x166.jpg 300w, https:\/\/kunst-gutachter.de\/wp-content\/uploads\/2022\/07\/DSC_0052-1-768x425.jpg 768w, https:\/\/kunst-gutachter.de\/wp-content\/uploads\/2022\/07\/DSC_0052-1-1536x850.jpg 1536w, https:\/\/kunst-gutachter.de\/wp-content\/uploads\/2022\/07\/DSC_0052-1-2048x1134.jpg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n<h1 class=\"wp-block-heading\">CHRISTIAN SCHAD (1894-1982) \u2013 THE DADA YEARS IN ZURICH AND GENEVA \u2013 SCHADOGRAPHS AND RIPOLINRELIEFS<\/h1>\n\n\n\n<p>In 1919, shortly after his Schadograph photograms, ChristianSchad (1894-1982) made a set of material collages in Geneva, the center of the DADA movement back then. Like Picasso, he used Ripolin house paint as colorant.<br>The poster was a contribution to the 2011 conference&nbsp;<a href=\"https:\/\/web.archive.org\/web\/20180829122639\/http:\/\/fromcantocanvas.fr\/home-en.html\">\u201eFrom Can to Canvas, Early uses of house paints by Picasso and his contemporaries in the first half of the 20th century<\/a><a href=\"http:\/\/www.fromcantocanvas.fr\/home-en.html\">\u201c<\/a>, Marseille.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/kunst-gutachter.de\/wp-content\/uploads\/2019\/07\/Schad-Ripolin-1-scaled.jpg\" target=\"_blank\" rel=\"noreferrer noopener\"><img loading=\"lazy\" decoding=\"async\" width=\"717\" height=\"1024\" src=\"https:\/\/kunst-gutachter.de\/wp-content\/uploads\/2019\/07\/Schad-Ripolin-1-717x1024.jpg\" alt=\"\" class=\"wp-image-1473\" srcset=\"https:\/\/kunst-gutachter.de\/wp-content\/uploads\/2019\/07\/Schad-Ripolin-1-717x1024.jpg 717w, https:\/\/kunst-gutachter.de\/wp-content\/uploads\/2019\/07\/Schad-Ripolin-1-210x300.jpg 210w, https:\/\/kunst-gutachter.de\/wp-content\/uploads\/2019\/07\/Schad-Ripolin-1-768x1097.jpg 768w, https:\/\/kunst-gutachter.de\/wp-content\/uploads\/2019\/07\/Schad-Ripolin-1-1075x1536.jpg 1075w, https:\/\/kunst-gutachter.de\/wp-content\/uploads\/2019\/07\/Schad-Ripolin-1-1434x2048.jpg 1434w, https:\/\/kunst-gutachter.de\/wp-content\/uploads\/2019\/07\/Schad-Ripolin-1-scaled.jpg 1792w\" sizes=\"auto, (max-width: 717px) 100vw, 717px\" \/><\/a><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>Christian Schad (1894-1982) &#8211; Studien zur Maltechnik und Kunstmethode. Dissertationsschrift von Dr. Martin Pracher, 2010 Christian Schad- Studien zur Maltechnik und Kunstmethode, 2010Die maltechnischen Rezepte Christian Schads wurden rekonstruiert, der maltechnische Nachlass dokumentiert und L\u00fccken im Lebenslauf (1930-1950er Jahre) geschlossen.377 Seiten, PDF-format, 43,36 MB&gt;&gt; Download-Link: Christian_Schad_Maltechnik Christian Schad Pigmentarchiv Als Teil der Dissertation wurden etwa [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":2231,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_coblocks_attr":"","_coblocks_dimensions":"","_coblocks_responsive_height":"","_coblocks_accordion_ie_support":"","hide_page_title":"","footnotes":""},"class_list":["post-3468","page","type-page","status-publish","has-post-thumbnail","hentry"],"_links":{"self":[{"href":"https:\/\/kunst-gutachter.de\/en\/wp-json\/wp\/v2\/pages\/3468","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/kunst-gutachter.de\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/kunst-gutachter.de\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/kunst-gutachter.de\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/kunst-gutachter.de\/en\/wp-json\/wp\/v2\/comments?post=3468"}],"version-history":[{"count":1,"href":"https:\/\/kunst-gutachter.de\/en\/wp-json\/wp\/v2\/pages\/3468\/revisions"}],"predecessor-version":[{"id":3469,"href":"https:\/\/kunst-gutachter.de\/en\/wp-json\/wp\/v2\/pages\/3468\/revisions\/3469"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/kunst-gutachter.de\/en\/wp-json\/wp\/v2\/media\/2231"}],"wp:attachment":[{"href":"https:\/\/kunst-gutachter.de\/en\/wp-json\/wp\/v2\/media?parent=3468"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}